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[Source: NBCNews.com: Weird news]
According to a special report by Rachel King for Between the Lines, "Texas Instruments continues to dominate the industrial chip market." Well no surprise there, the semiconductor manufacturer Texas Instruments has dominated the market for decades. Texas Instruments, for those of you who don't know, brought both the invention of the transistor radio and the integrated circuit to the world.
...REDDITCH-BORN stage and screen star Charles Dance, known to sci-fi fans for his role as Ripley's confidante Dr Clemens in Alien 3 and now on TV as Tywin Lannister in Game of Thrones, will next be seen on the big screen in the crime thriller St George's Day.
Metrodome Distribution today announced it is to release the film in the UK on September 7, 2012.
The film's Facebook page says of Dance's involvement: "A sterling cameo role in the film is held by him. We hardly ever think of C.D. as a gangster... this role though is of Trenchard, the daddy of them all.
"Knowing, strongly connected, and has stayed under the wire his entire illicit career. Dance exhibits his usual great command of a role, you are really going to enjoy this."
Official description
St. George's Day is Frank Harper's directorial debut. Starring Harper (Bend It Like Beckham, Lock, Stock and Two Smoking Barrels, The Football Factory), Craig Fairbrass (Cliffhanger), Vincent Regan (300), Neil Maskell (Kill List), Luke Treadaway (Attack The Block), Keeley Hazell (Like Crazy), Charles Dance (Game of Thrones), Jamie Foreman (Nil by Mouth, Eastenders) and Ashley Walters (Anuvahood) this is a suspense-filled drama of two cousins and their one last big job before retirement beckons.
At the top of their game, respected and revered by fellow gangsters, cousins Ray Collishaw (Craig Fairbrass) and Mickey Mannock (Frank Harper) plan the biggest robbery of their careers when a drugs drop goes awry.
Pursued by the angry Russian mob, Mickey persuades reluctant Ray to do one last job for the family. Under the guise of an England v Germany football friendly, masked by football hooliganism, Ray, Mickey, and their crack team of criminal masterminds embark on the ultimate heist.
But with the Russians hot on their trail, a wily detective (Jamie Foreman) with a vendetta, and a mole in their midst - can the boys pull it off one last time?
St George's Day is a film of balls-in-the-hand bet...
Take a crash course in digital humanities with McGill professor Stefan Sinclair.
In the burgeoning academic discipline of digital humanities, creating software tools is as important as getting published in a journal. To better understand what this means, take a peek at the pedagogical playbook of Stefan Sinclair, associate professor of digital humanities in McGill University’s Department of Languages, Literatures and Cultures. Sinclair is a new kind of lit professor (as is this guy) who's bringing a humanist’s sensibility to computing--and leveraging Big Data methods to ask new kinds of questions about literature. At the same time, he’s equipping a new generation of humanities students with the eclectic skill set and entrepreneurial spirit to take on a 21st century job market. They're going to need it.
FAST COMPANY: What is “digital humanities,” exactly?
STEFAN SINCLAIR: There’s a natural tendency to assume it’s a new field, but it’s actually been around for quite a long time. The first research combining computers and the humanities was in the 1940s, and a journal called Computers and Humanities started publishing in the 1960s. But there has been a lot of attention and momentum in the past 3 or 4 years that hasn’t been there before. The core of digital humanities is the critical exploration of how computers and technology can enhance but also influence our modes of research in traditional humanities. My own work has been focused on facilitating the exploration and analysis of digital texts. Part of that is to provide tools to allow people fairly easily to ask questions about things like the frequency of terms or clusters of terms in a document or body of work, how those terms are distributed, and which terms and themes are most distinctive to individual documents in a larger body of work.
I'm also interested in how to design and implement tools such that the computer can suggest some possibly interesting trajectories to follow. In other words, the user/reader...
DESCRIBED as a mash-up of Paris Is Burning, Rent and Dreamgirls, the big-screen musical Leave It On The Floor vogues its way into London this week.
Peccadillo Pictures is holding a premiere on August 1 to launch an exclusive two-week theatrical run (August 1 to 16) at the Leicester Square Theatre. Leave It On The Floor then heads to DVD on September 10. The trailer is included below.
The film takes viewers into the world of the ball scene or ballroom community. This is an LGBT subculture in the USA in which people band together in groups called houses and compete at events known as balls, strutting their stuff in performances that include the voguing dance popularised by Madonna's 1990 hit single.
Leave It On The Floor stars Ephraim Sykes as Bradley Darnell Lyle, Phillip Evelyn as Princess Eminence, Andre Myers as Carter and Miss Barbie-Q as Queef Latina.
R&B star Beyonce acknowledged the ball culture with her stage persona and album Sasha Fierce, saying she had been inspired by the 'drag-house circuit.' Fittingly, the singer's music director and dance master are both involved with this new film, which shines a spotlight on this underground scene. It also features Beyonce's hit song Sweet Dreams.
OFFICIAL DESCRIPTION
High flying and low down, Leave it on the Floor is a one of a kind celebration - a gay African-American musical about finding your true family.
Sheldon Larry's audacious, raunchy and big-hearted musical - with songs by Beyonce's music director Kim Burse and choreography by Beyonce's dance master Frank Gatson Jr - takes us into the fabulously funky world of voguing. Remember the documentary Paris is Burning? Here the setting is contemporary downtown L.A.
Our hunky, homeless hero Brad, discarded by his homophobic mom, falls in with the members of the House of Eminence, ruled by the stern ageing diva Queef Latina, who keeps a careful, loving watch over her makeshift family of runaways and throwaways. When two of her crew...
THOUGH the Marvel faithful have been very excited that the fan-favorite Winter Soldier storyline - based on the illustrious writings of Ed Brubaker - is being adapted for the Captain America sequel, Joe and Anthony Russo's attachment to direct the film has left some scratching their heads.
Best known for their comedic roots, the directing duo (pictured above) have maneuvered shows like Arrested Development and Community to cult-following status, but the two lack familiarity with the action-adventure genre.
So is Cap's next feature in need of some humor, perhaps because Joss Whedon's wit worked so well in The Avengers?
"It definitely is," says Anthony at the Television Critics Association Press Tour. "I mean, we're trying to grow him as a character, and certainly he's come a long way.
"But part of the appeal of these movies is the ensemble," he said in another hint at the influence of The Avengers. "Captain America isn't the only character in the film, there are other characters that are perhaps lighter in nature."
But what caused the directors of You, Me and Dupree to put their sights on one of Marvel's cinematic cornerstones?
"We were comic book geeks from a young age and big fantasy geeks," Anthony explained. "We were really passionate about the movie, incredibly passionate about the movie. They felt that, and they felt like it was the right match."
With production slated for next year and a release date sometime in April 2014, we'll see if the Russos can bring the action and suspense like they bring the funny.
Another of Marvel's properties under development - though with far less success so far - is a small-screen adaptation of the Brian Michael Bendis and Michael Avon Oeming title Powers.
Production on the series is now at a standstill although Variety reports that cable network FX is still hopeful an adaptation can be produced.
Last year the network rejected the initial pilot starring Jason Patric and Lucy Punch as det...
TRIBUTES have been paid to Doctor Who actress Mary Tamm, who died in a London hospital today at the age of 62 after an 18-month battle with cancer.
She played Romana (pictured above and below), a Time Lady who was companion to Tom Baker's fourth Doctor from 1978 to 1979. Tamm opted not to return for another series and the role was recast with Lalla Ward.
The daughter of Estonian refugees, Bradford-born Tamm trained at RADA. Her first professional job was at the new Birmingham Repertory theatre where she spent nine months working alongside Derek Jacobi, Joan Sims and Ronnie Barker.
She also appeared on the big screen in The Odessa File and The Likely Lads and after leaving Doctor Who was in numerous other TV shows including EastEnders, Brookside and Wire in the Blood.
Doctor Who returns to our living rooms for a seventh series in August, with guest stars including Stratford-upon-Avon actor David Bradley, who played Hogwarts caretaker Argus Filch in the Harry Potter films.
Bradley, who recently received an honorary degree from Warwick University, will play a character called Solomon, whom he describes as an "old rocker."
He told the unversity's podcast: "He is a space pirate. We've modelled [him] on a well-known nightclub owner with long hair. He has lots of scars and wears black leather.
"He runs a ship the size of Canada, and has two giant robots that are a bit rusty."
Diana Rigg (TV's The Avengers, On Her Majesty's Secret Service) and her daughter Rachael Stirling (Snow White and the Huntsman) are also to appear in the series.
Other guest stars include Ben Browder (Farscape), David Warner (Titanic, Tron, The Omen), Liam Cunningham (Game of Thrones, Clash of the Titans), Jessica Raine (The Woman in Black, Robin Hood) and Dougray Scott (Mission: Impossible II, The Day of the Triffids, Desperate Housewives).
MOST people believe zombies are a relatively recent phenomenon that grew out of comic books, movies and TV.
Our current fascination is obvious with The Walking Dead on the small screen, movies such as the upcoming World War Z and even Britain's annual Brighton Zombie Walk which will take place for a sixth time in October 2012.
This History Channel special explores the real story of these flesh-eating horrors, beginning at the dawn of civilisation and continuing right through to today.
While the starting point for our modern view is George A. Romero's 1968 movie The Night of the Living Dead, the first written reference can be found in the ancient Epic of Gilgamesh, mankind's oldest work of literature.
We are then taken through the myths of various cultures across the ages and it's no surprise that Europe's Black Plague became one of the most prolific periods for zombie tales, because mankind was surrounded by sickness and death.
Of course, just one zombie would not be much of a problem at all but they always seem to come in packs, reflecting the way in which real-life communities have been overwhelmed by disease and armies of pillaging invaders.
Completing the construction of the creature familiar from modern fiction is the Western revulsion for cannibalism; and our concerns about mankind creating viruses and monstrosities by tampering with nature - as seen in the Greek myth of Prometheus, Mary Shelley's Frankenstein and modern-day biological warfare.
The DVD then moves on from history, legend and fiction to the idea of the zombie apocalypse, treating it as though it might actually happen. Some of the same ground is covered as in that that famous Centers for Disease Control blog advising us on how to prepare for such an event.
The various presenters discussed their weapons of choice and there was also a short section on guns and ammo which, in the light of the Colorado cinema shooting, may prove a sensitive topic for some viewers.
...CHRISTOPHER NOLAN says he believes it is the right time to bring the curtain down on his acclaimed Batman series.
The London-born filmmaker, who stepped behind the cameras once again for The Dark Knight Rises, said: "I've been working on Batman for almost ten years. It has been incredible and it has definitely been a journey.
"Now it's over and I leave it with a certain amount of sadness."
Speaking in a premiere interview, Nolan adds: "We were all very excited to bring this tale full circle. That was our chief inspiration for returning to Gotham.
"It has been an extremely gratifying experience. We are very proud of this ending, and we hope the audience shares our excitement."
And the filmmaker is only too aware that Warner Bros will be keen for more Batman movies in future, which will require another director to deliver their own version of the caped crusader.
He told Empire: "When I first met with Paul Levitz of DC Comics prior to Batman Begins, he explained to me clearly that Batman, of all superheroes, has thrived on reinterpretation and almost is strengthened by it.
"I'm talking about over the years in the comic books but also in the movies.
"So whenever someone does whatever the next iteration of the character is, they simply need to be true to whatever it is they want to see, to what they believe in, not worry too much about what everyone else is telling them it should be."